My New Piano Arrived

I have recently taken delivery of my new Baby Grand Piano, a lovely Feurich 162. This is the story about how it came about.

Context

This is the first post where I have mentioned a piano. I think it only fair to give the post some context. I was about 5 when my father appeared to go out and come home with a piano. To be honest I don’t really remember what happened but my father carried a reputation that I was aware of when I was older of going out with no particular plan and comming back with a major purchase. The one story I always heard over and over again is that he went out to buy some Kippers and came back with a Car. To be fair we needed a new car (I remember looking through a rust hole from my position in the back seat and seeing the rear wheel going round - not something that would happen today, but this was the early 1950s, before the introduction of the MOT) but it did create a reputation. The Piano might have been the same idea - but I suspect there was more thought into that. It was an upright, a Knight K10. From what I know of pianos today, that was a high quality make.

I remember being excited about learning to play, and initially my father was to teach me. But it didn’t last, I think he was just too busy, and in the end a local piano teacher was engaged. She would come to our house and give me lessons. I don’t know why but at some point between when I was 5 and when I was 10 I was changed to a much more sophisticated teacher. She was a member of the Royal Academy of Music, we (my siblings and I) had to walk to her house (about 30 minutes away) where she taught in a large downstairs room with Grand Piano. She was very strict and would write on our music in a fountain pen with green ink.

greenink written on my music
She was very strict and would write on our music in a fountain pen with green ink.

ABRSM grade3 certificate

But despite all the money my parents were obviously paying to get me to play the piano, I never practiced and all I could manage by the time I came to give up was ABRSM Grade 3.

In the early 1990s my father offered the piano to me, and I accepted the offer and installed it in our front room. But still I didn’t play it, although my younger daughter did and she took lessons. So when she moved into a big house with room for a piano she took it, as I had no need for it.

My Journey Over the Past Few Years

In September 2017 I suddenly had the urge to play the piano. I suppose it was the fact that I had just retired and had more spare time, but I had the urge to play. Clearly I would need to buy a piano, and did a bit of a search to see what to buy. After trying a few I settled on a CASIO AP 460 and placed my order.

I also decided I ought to get myself a piano teacher and explored the options. I soon found Natalie - qualified to teach to ABRSM Grade 8, but with some Jazz experience too (I have a hankering after being able to play some Jazz). Unsure of requirements we settled on an hour every two weeks. I set about learning the 1st Movement of Beethoven’s Moonlight Sonata.

Fairly quickly I realised two things :-

  1. An hour every two weeks wasn’t enough for piano lessons. My teacher would set a task in the lesson and within a few days I had sorted the issue and wanted more. It was frustrating having to wait.
  2. I wanted a better piano. There was great difficulty (due to a short pivot point on the keys) in playing close to the fallboard. This was something I had to do to play the Moonlight Sonata, but also pushing the keys into the keybed felt like pushing concrete blocks. Absolutely no give.

kawai

So I fixed both of these, by upping my lesson to an hour a week, and by trading in my Casio for a Kawai CA 67. The Kawai CA67 is a lovely piano. The action feels really good and the sound is fantastic as long as its through headphones.

Every 6 weeks or so we would visit my daughter and with my new found interest in pianos I would sit down and play the old Knight. As first I didn’t like the upright, much prefering my CA67. But slowly, as my fingers and my soul were becoming more sensitive, I realised that there is something personal about playing an acoustic piano that just isn’t there with a digital piano and I started to wish for an acoustic piano for myself.

But …

… my life is full of hobbies that last two years before fizzling out. I wanted to be sure that the piano wasn’t one of those and I decided to wait - initially setting myself a timescale of 3 years since starting. I also wanted a Grand Piano and that was going to be a significant investment.

The Search for a Piano

We have been having our house re-decorated, including the room that would fit the new Grand Piano. A quick check on my finances, and I realised a perfect opportunity to have the piano delivered would be after the room was re-decorated. Not quite the full 3 years but more than 2.5 years.

So I set about determining dimensions and making a short list. I came to the conclusion that 170cm long was the longest that could fit into the space I had, so it would have to be a baby grand. Also the budget would not stretch to a handmade German make, so I had to settle for something more modest.

In the end I narrowed it down to:-

  • Kawai GL 10
  • Kawai GL 30
  • Rutmuller Studio R8
  • Feurich Dynamic I 162
  • Venables Academy-168

One Saturday I decided to see if I could audition the top 4 on the list. The Venables was talked about on the Piano World Forums, of which I am a member, but since it was down near Southampton, it would require a special journey. I was expecting to like the Kawai GL30 the most.

The first piano I tried with the Kawai GL30, and I was so disappointed. I was asking myself whether I had made a mistake in wanting an acoustic piano at all. The GL30 felt lifeless to me, with none of the soul I could feel when I visited by daughter.
I also tried the GL10, certainly not any better.

Fortunately the same store also had a Feurich 162 and I tried that, not expecting much. I was blown away. A light touch, responsive to my playing, seemed perfect. Nevertheless I had others to try.

The I had to go to a different store to try the Rutmuller. But as soon as I sat down and tried it, the piano just felt cheap and nasty. I was not impressed.

I almost didn’t go to try the Venables 168 given how impressed I was with the Feurich, but in the end I did.
That too was a beautiful piano, and Will Venables voiced the model in stock for me whilst I was there. It sounded perfect. But it felt slightly strange which I couldn’t put my finger on at the time. But once I returned home I realised that the height of the piano was higher than the norm and it would be quite a tilt of the neck for me to read the music and that little fact just swung the balance for me in terms of the Feurich.

So I placed my order.

On the 19th March 2020 it was delivered to me! Just in time to have it before the lockdown!

feurich
Feuruch 162 with recording equipment set up

Categories:

Updated: